Showing posts with label 16th century. Show all posts
Showing posts with label 16th century. Show all posts

Tuesday, February 03, 2026

Book review : The Assassin of Venice by Alyssa Palombo

The Assassin of Venice
by Alyssa Palombo

GENRE: #Historical-mystery-romance

My rating: ★★★★★
A resounding 5 stars!

This historical novel is a real page-turner, blending mystery, secrets, murder, romance, passion, political games, and friendship against the rich backdrop of 16th-century Venice. Absolutely captivating!


___THE PLOT IN A NUTSHELL:

Venice, 1538.

Valentina Riccardi is a woman of beauty, intellect, and deadly skill. As a celebrated courtesan in Venice, she's in the perfect position to charm, dominate, and eliminate influential men. Spies? Traitors? It doesn't matter. All that matters to her is that these men are enemies of the Council of Ten, the shadowy and all-powerful group that governs the Republic, and therefore potentially dangerous to the people of Venice.

Venice is her beloved home, and having once lost everything to an invading army, she's willing to do anything to protect it, because nothing is more precious to her.

Valentina enjoys her profession and is happy to spend her evenings and nights with several attractive and handsome lovers. However, Bastiano Bragadin, the third son of a noble family (one of Venice's wealthy families), is the one who has truly captured her heart, and he loves her back with genuine passion. Unfortunately, their different social standings make marriage impossible.

Bastiano also works for the Council of Ten, but this is not the only secret between them; a far more significant connection unites them.

One day, Valentina receives the order to kill an enemy of the Ten: Bastiano. If she refuses, those she cares about will pay the price...

Could Bastiano be a traitor? Or is there a conspiracy brewing, where the lines between good and evil are blurred, and where the interests of the Venetian people are not the priority, but rather the ambition of men hungry for power?

How can Valentina possibly choose between love and duty?

_____________ ********** _____________


MY TAKE:

As I mentioned earlier, this novel is a complex tapestry, where fiction is expertly woven into the historical fabric of Renaissance Venice, a powerful commercial republic and a vital hub for trade between Europe and the East.

On one side, Venice gleamed with its riches, its magnificent palaces, its silks, its spices, its glasswork, its art, its festivals, its culture... on the other, it was a breeding ground for spies and political schemes, where even the walls had ears and trust was a rare commodity.

When you add a passionate love story and compelling characters, skillfully brought to life by the author, you'll understand why I was completely enthralled from the very first page.


___ THE CHARACTERS ____

_____ VALENTINA is a strong, bright, and spirited heroine, skilled in both the arts of seduction and assassination.
She is prepared to do anything to protect her freedom, her wealth, and the ones she loves.
The story is narrated by Valentina herself, in the first person and present tense, as the events unfold.
From time to time, we get glimpses into our courtesan's past, when she was still a young girl from a wealthy family in another city. We learn about her past and her wounds, and what led her to make certain choices in her life.

I didn't exactly *like* her being a killer, but considering the limited options for women back then, I can understand why many chose the life of a courtesan; it was often the only way for women to have some control over their own lives.

---> Throughout the narrative, I wasn't able to fully get behind her character as some other readers did.
This wasn't because she was a killer (which the book justifies by saying she was eliminating traitors who would bring only war and ruin to the Venetian people), but because her painful past had made her so cynical that she almost always put herself first.

More than that, despite her feelings for Bastiano, she not only did her job by sleeping with other men, but she clearly relished it. I mean, for her, it wasn't just a job, it was also a pleasure.
She enjoyed the physical intimacy and and emotional complicity with some of her clients immensely, from the dinners and private conversations to the parties and, ultimately, every single moment of the sexual act. It seemed to me that she was at least a little infatuated with others as well, and I perceived this as a sort of emotional betrayal of Bastiano.

I can accept the physical infidelity in this situation because it was part of her job, but the emotional betrayal is unacceptable if we're talking about true love for Bastiano.

What's more, I didn't feel particularly moved by the chapters detailing her painful past.
I was more bothered by the pity she felt for herself than the pain she experienced due to the horrific deaths of others. Ambition and self-centeredness have been part of her character from the start.

Looking at it objectively, it's clear that the protagonist had to be tough and ruthless; she couldn't have survived in her profession otherwise. However, this made me follow the story with curiosity and complete fascination, rooting for Bastiano instead of her.

_____ BASTIANO is a charming, intelligent and handsome young man. He enjoys playing the part of the carefree charmer who seduces women with just his knowing smile, but deep down, he's a good soul, kind, devoted, and protective.
While he could have many lovers, he doesn't. He is jealous of the other men, and it hurts him to see them with Valentina and to know that she'll share a bed with them, but he never becomes possessive. He expresses his jealousy in a healthy way and wants to share his life with her, even though the customs of the time only allowed firstborn sons to marry and produce heirs.

You might think that a man who accepts this kind of relationship is weak, but that's not true. It is his strength of character that allows him to stay by her side even when things get difficult and everything seems dark and uncertain.

He's willing to sacrifice his life to save the woman he loves.

I was worried about him right up until the end, because the story takes so many unexpected turns, and it's hard to guess what the author will do with this character, who became the one I cared about most in the whole book.

As the story unfolds, we also meet some of Valentina's clients, other courtesans (including a very close friend), and, naturally, the "villain" of the moment.

Each character has well-defined personality traits, which made them either likable (making me fear for their safety) or loathsome, and which skillfully added depth to the picture of Valentina's life, thus lending meaning to her choices and her mistakes.


__ THE MYSTERY PART ___

The mystery is compelling and kept me guessing until the very end, though I have to admit there were a couple of somewhat predictable moments.

The most fascinating parts of the book are the characters and the way they navigate blackmail and try to expose a dangerous plot. The intriguing setting of Venice is equally important, acting as a third main character: glittering, powerful, decadent, and perilous.

Moreover, the author's writing style is perfectly balanced, never too wordy, never too brief, always managing to intrigue and engage you, making you feel like you're right there with the characters.


_____ HISTORICAL BACKGROUND ____

While the story of Valentina and Bastiano is fictional, the author presents the real world of courtesans, the "honest courtesans," with considerable skill. These women distinguished themselves from ordinary prostitutes through their extensive education, refinement, and comfortable way of life.
Since women of "patrician families" weren't allowed to read or study, wealthy and noble men turned to courtesans not only for sexual gratification but also for companionship at events and parties, and to have someone they could converse with as equals. The politics of the era and the system of government in the Republic of Venice, the famous Serenissima, are also explained clearly and concisely, which greatly helps the reader understand the roles of certain characters and the kind of power they possessed or sought.

You can find additional information in the author's fascinating HISTORICAL NOTES at the end of the book.


___ WHO SHOULD READ THIS? ___

Although it touches on themes of sex and murder, this is actually a "clean" read, with CLEAN LANGUAGE and NO GRUESOME DESCRIPTIONS.
The intimate scenes are always depicted elegantly and never descend into vulgarity.

If you enjoy historical settings that are true to life and want something different from the usual stories set in England or America, if you want a romance that's not just about romance but also filled with intrigue and dark secrets... then this book is for you.

----> I found the ending satisfying, although I would have preferred a more traditional happily-ever-after. However, I realize that would have felt unrealistic and improbable. Don't worry, it's still a positive ending.

This is the first book I've read by this author, but it definitely won't be the last. I'm eager to explore her other novels!!

Thank you my friends for reding my opinion, I hope this helps you choose your next read!


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Thursday, March 27, 2025

Book review : City of Vengeance by D.V. Bishop

City of Vengeance
Cesare Aldo book #1
by D.V. Bishop

GENRE: #Historical-mystery #Renassaince-Italy

My rating: ★★★☆☆
This is a mystery set in mid-16th century Florence, Italy.

I'm Italian (so please forgive my English) and I'm always drawn to historical fiction set in the most beautiful and important cities of my country, especially when real historical figures play a role, even a small one, in the story.

The mystery itself wasn't bad, not the best and most engaging I've read in years, but it had a lot of potential to be a great read, however, some things really bothered me and that's why I rated it 3 stars, when it could have been 4 stars.

__PLOT IN SHORT ___ Florence. Winter, 1536.
A prominent Jewish moneylender is murdered in his home, a death with wide implications in a city powered by immense wealth.

Cesare Aldo, a former soldier and now an officer of the Renaissance city’s most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany – or suffer the consequences.
During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de’ Medici. If the Duke falls, it will endanger the whole city.

A day before another murder had happened: a young boy, who was prostituting himself disguised as a woman.
Strocchi, a constable, Aldo's colleague, wants to shed light on the case, discovering that here too important people who have in their hands the city's trade, are involved with the dead man (or with the murder).

In all this is intertwined with Aldo's private life, in fact he hides a secret and a rival officer of the court is determined to expose some details about Aldo that could lead to his ruin.
Strocchi on the contrary is a sincere young constable still full of ideals and eager to do the right thing, one Aldo can trust.

Would Aldo and Strocchi be able to stop the conspiracy before anyone else dies or will they be defeated by politics and corrupt people greedy for gain and power?
________________

DID I LIKE IT ? My opinions on this book are controversial :

__ABOUT THE MYSTERY ___

YES ---> I liked that part of this BOOK was INSPIRED BY A REAL HISTORICAL EVENT : the murder of Alessandro de Medici which took place in 1537.
I always find historical fiction very interesting when true history is well mixed with fictional elements and I think the writer did it well.

Those who are not Italian will appreciate the author's historical notes, useful and stimulating for better documentation even just by reading Wikipedia.

NO ---> It is true that the book is written in English, so most readers probably don't know many things about the Medici, but I am Italian and since the son of a famous leader (whom a street in my city is also named after) is involved in the story, I already knew the culprit ( ____WARNING : SPOILER[ and also the fact that he is not captured ] SPOILER END _____ ) so I missed a part of the suspense.
Taking inspiration from real events is right, but putting a murder in a book, which you can even read about on the web, is not the best choice.

Furthermore, the first fictional murder seems to almost be forgotten at a certain point in the book and the connection between the two murders is very weak/non-existent.

__ ABOUT THE MAIN CHARACTERS __

YES ---> I became fond of both main characters: Cesare Aldo (at least until 98% of the book when he disappointed me) and Carlo Strocchi.
It's easy to appreciate characters when they are good-hearted men in a world where money and power can corrupt even men of the church as it happened in those days.
It's even easier when one of them has had a troubled past.

The same goes for a secondary character that I think will be recurring in the following books: Saul Orvieto, a Jewish doctor with whom Aldo develops a sentimental bond.

I would have liked to have a little more of the characters' private lives in the book and if I were to read more books in the series, it would be more out of interest in the characters than the mysteries they investigate.

NO---> As you can see above I liked the character the series is named after, Cesare Aldo, almost until the end, when I never expected him to ruin the ending for the readers and behave like a real hypocrite.
How ?
I can only tell you with a SPOILER ( don't read it if you plan to read the book ) ____WARNING : SPOILER[ _ Aldo in the end reveals a truth that had remained hidden: the real culprit of the fictional murder, who was a good boy who in a fight had killed a man hated by everyone for his wickedness.
Not only does Aldo ruin the happiness of two lovers, but his gesture leads the boy to commit suicide.
Aldo's lover had asked him to keep quiet, he knew that the boy was a good person and Aldo could have given him the chance to redeem himself.
I was disappointed by this ending, but I thought that Aldo wanted justice at all costs, not excusing the murder even if the victim was despicable and even if the murder had not been premeditated, but had occurred by accident.
THE REAL PROBLEM FOR ME was when Aldo, on that same night, killed an equally despicable and evil man, so that he would not reveal his secret and thus save his career and life (Aldo is gay and in those days one would end up rotting in prison).
SO HE SET HIMSELF UP AS JUDGE OF ANOTHER, BUT THEN HYPOCRITICALLY COMMITTED THE SAME ACTION: A MURDER!
I wouldn't have minded killing the blackmailer bastard, if Aldo hadn't first condemned the boy to flee and take his own life.
But he ruined a boy's life for a wrong action and then immediately after committed the same action to save his good name and with it himself.
UNACCEPTABLE ! ] SPOILER END _____
This contributed to making me give up continuing the series.
I can't read books where I don't have respect for the main character.

___ ABOUT THE WRITING STYLE __

NO ---> I don't know if the author has been to Italy or has Italian friends, in any case he stuffed the first half of the book with the most vulgar word that we Italians have to express male genitals: "cazzo" and "palle" (sorry if I report it here).
" C..." It's a disgusting word and within the first 25% of the book, it appears frequently, approximately every two to three pages, even in vulgar contexts such as: sucking his "c....".
Then from 25% to 50% of the book it is still a recurring word even in sentences where it could have been avoided. This thing disgusted me a lot, even if in Italy that dirty word has now become a common exclamation.
The issue is not only the vulgarity of the word itself, but also the vulgarity of the sentences in which it was used.
The constant repetition of this word, appearing on almost every page, was disgusting and made me want to stop reading.
If the author didn't want to use the clinical word "penis", he could have employed other Italian words that indicate the male genital organ, such as "uccello" or "pisello," which are less overtly vulgar than the word chosen by him.

The author also had fun inserting here and there Italian words that are readily translatable into English (secretary, office, family , puttana (whore)...) and the purpose of this stylistic choice makes no sense.

--> The atmosphere was no longer Italian because of those words, the author should have instead concentrated a little on some suggestive description of Florence, but apart from mentioning the name of some palaces, there is no description that transports the reader to 16th century Florence.
I recently read a book set in Venice in which there were words in Venetian (which are explainable in Italian, but do not have a corresponding word) and in Italian of the time that would not be translatable and therefore it was right.
BUT IN THIS BOOK THIS DID NOT MAKE SENSE and it seemed ridiculous to me.

Thanks for reading my opinion :-)

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Book review : The Assassin of Venice by Alyssa Palombo

The Assassin of Venice by Alyssa Palombo GENRE: #Historical-mystery-romance My rating: ★★★★★ A resounding 5 s...