by Laura Lebow
Lorenzo Da Ponte Mysteries Book 2
My rating: 5 of 5 stars
A very nice mystery to read: real historical figures as main characters, all the charm of the setting of the Opera at theater and of the city of Vienna in the late 18th century, no description of bloody scenes and lots of history skillfully intersected with the fiction of the plot.
__THE PLOT __ 1788, Vienna.
The court poet Lorenzo Da Ponte is working as a librettist on Mozart's Don Giovanni, already successfully performed in Prague.
Although the theater is still open, these are hard times because Emperor Joseph II has declared war on the Turks and protest riots often occur in the city. Added to this problem are strange and shocking murders of representatives of the aristocracy and clergy.
Among the victims is also a long-standing good friend of Lorenzo, who for this reason is summoned to the police station and instructed by the police chief to participate in the investigations together with Count Benda (linked to the victim of the first murder).
Determined to help find his friend's killer, Da Ponte agrees to help in the secret investigations and together with another old dear friend, Giacomo Casanova, will find himself entangled in the delusional and paranoid plots of a deranged man obsessed with Dante's verses in the Purgatory of the Divine Comedy.
__________________________
I loved everything about this book because it is a perfect match with my tastes, but it seems right to recommend it only to lovers of light mysteries (for example cozy mysteries and classic mysteries).
Despite the title and the serious cover ( which I approve of ), the mystery itself and the investigation are not suitable for those who love fast-paced thrillers, with dramatic implications and bloody scenes.
On the contrary, if you love mysteries with a welcoming setting, cheerful scenes where you can breathe an air of friendship and complicity, an investigation in small steps and a human protagonist in all his points of view (he is not the fearless hero with investigative and elaborate logical deductions) and continuous historical references, then it's for you!
__ ALL THINGS I LIKE IN THE BOOK and the reason why I will reread it again in the future __
1_ THE MAIN CHARACTERS :
3 figures who really existed and who really knew each other in life and who really shared moments of friendship and complicity.
History books only tell us the facts of their life, while fiction allows us to take part in their joking moments, while they work at the theater, while they have a drink together, while they exchange confidences... Moments of life which, despite being created by the writer, are plausible in the lives of every person at every time.
--- Lorenzo Da Ponte, nearing his 40s, is Mozart's librettist.
Born in Venice, he took his vows as a priest not out of vocation, but because at that time it was a way to study. In fact, in real life he loved several women and even in Lebow's books he never fails to succumb to feminine charm.
The character, cultured, polite and kind, does not investigate by his own will, but finds himself involved in situations despite himself and it is funny to see him awkwardly face dangerous moments against wicked and cunning killers.
--- Giacomo Casanova, also Venetian, actually participated in the insertion of some scenes from Mozart's Don Giovanni, even though in reality he was in Prague.
Here we see him now 60 years old, but still charming in his ways and with a certain inclination for beautiful women.
Perhaps not everyone knows that he was not just a libertine, but rather a cultured and intelligent man, who also wrote several books and was an Italian diplomat and secret agent (among other things!).
--- Wolfgang Amadeus Mozart needs no introduction, at least superficially everyone knows who he was.
A great composer, a fascinating genius in many aspects. Like many geniuses he had a restless soul, lived an unruly life (women, gambling, parties, debts... and so on ) and died young and with many debts.
I liked to see him in the very romanticized role of faithful husband (he wasn't) in a daily-life at home with his children and his wife Constance, as if he were in a peaceful period of his life.
I liked to see him at the theater directing the actors and joking with his colleagues.
I liked to forget for a moment all the wildness that was part of him and just see the sunny side of the character.
That's the beauty of fiction.
At the same time, once you leave the "bubble of serenity" of fiction, it is nice to discover what the historical characters were really like and know more about their lives.
This is one of those historical mysteries that reports true facts of that time in many aspects ( characters, literature, opera, politics and of course the beauty of the city ) and encourage me to discover more about true history.
2 _ THE SETTING:
As I already said, the setting is warm and welcoming.
I loved the scenes in the theater, during the actors' rehearsals (there are all the names of the real actors of that time), with their insecurities, their hysterics, their joking jokes and creative moments.
I liked to see how the same opera, already performed in Prague, was adapted by the composer and the librettist, depending on the type of voice and the singing qualities of the actor-singers and the place where it was performed (it was also necessary to take into account of the political climate and the ethical and religious reforms brought by the emperor).
In addition to the opera theater and moments of social life, the writer offers us an overview of the beautiful Habsburg capital.
As Da Ponte moves around the city for work or for his investigations, the book mentions streets, buildings, monuments and places that are still salient and distinctive points of Vienna today and can be visited by travelers and tourists.
I was born in Vienna and have returned many times, but I enjoyed traveling with Lorenzo in the 18th century and searching the web for old lithographs to immerse myself even more in the atmosphere of the time!
_ THE STRONG HISTORICAL COMPONENT which presents itself in various aspects and is perfectly mixed with fiction.
There are so-called "historical" novels where the only historical data is a brief reference to the period in which the story takes place and then there are "true historical novels" where the fiction is perfectly integrated with the events of real history, thanks to profound research and studies by the author and where we readers can enjoy the charm of the past.
- In this murder mystery novel the author offers us a glimpse of life into the political events and feelings of the citizens in that period;
- the author tells us about the protagonist's literary passions, bringing us Dante's verses in the killer's messages and explaining their meaning through Da Ponte's words;
- Laura Lebow talks to us about monuments, buildings and historic cafés, still icons of the city of Vienna, telling us throughout history by who and why they were built (then broadening the discussion in the historical notes at the end of the book);
- the story tells us real life episodes of the 3 main characters;
- we can directly witness the rehearsals and scene changes of one of Mozart's most famous operas and mentions many others created in that same period by other composers in Vienna.
All this is in the plot of the book and it's presented in a light and pleasant way, but incisive enough to tickle the reader's curiosity to find out more.
An applause to the author, who I hope will one day decide to continue this series, telling us about other works on which Da Ponte worked, not only in Vienna, but also in the other cities in which he lived.
---> Clean language, 1 sex scene barely mentioned and without any description.
---> This mystery is also suitable for young adults, lovers of cozy mysteries or classic thrillers.
I recommend it if you are more interested in the overall story of the book and not strictly in the mystery and investigation, which is interesting, but does not offer great tension and pathos. The solution, however, is unexpected and surprising.
This is installment #2 in "Lorenzo Da Ponte series", if you are glad to read my review about book #1 ( The Figaro Murders), you'll find it here :
#BOOK 1 : THE FIGARO MURDERS "Lorenzo Da Ponte Series"
Thanks for reading my review and apologies for my English, it's not my native language.
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